73 Would You Rather Questions For Designers

Hey designers! Ever find yourself staring at a blank canvas, or wrestling with a tough client brief, and wishing for a fun way to spark some creative thinking? That's where the magic of "Would You Rather Questions For Designers" comes in! These aren't just silly games; they're designed to get your brain buzzing, explore different design philosophies, and maybe even reveal a little bit about your design personality. So grab your digital stylus, or your trusty pencil, and let's dive into some deliciously tricky design dilemmas!

What Are These Tricky Questions and Why Do We Love Them?

So, what exactly are "Would You Rather Questions For Designers"? Imagine being presented with two choices, both challenging, both with their own set of pros and cons, and you *have* to pick one. For designers, these questions often pit different design principles, tools, client types, or even creative processes against each other. They're popular because they break the ice, get conversations flowing, and can reveal surprising insights. Think of it like this:

They make us think outside the box. Instead of just saying "I like minimalist design," you might have to choose between designing a hyper-realistic product ad or a completely abstract brand identity.
They spark debate and learning. You might find out your colleague has a completely different approach to a problem you've both faced. This can be a fantastic way to learn from each other.
They’re just plain fun! Let’s be honest, sometimes we just need a good laugh and a mental break from the serious stuff.

The beauty of these questions is that there's rarely a "right" answer. The goal is to explore the thought process behind the choice. The importance lies not in the answer itself, but in the discussion and self-reflection it inspires. They are used in various ways:

Icebreakers for team meetings or design workshops.
Fun prompts for social media or design blogs.
Tools for self-discovery and understanding your own design preferences.
Challenges to push creative boundaries.

Would You Rather Typography Troubles?

You have to choose between these two font nightmares:

Use Comic Sans for a luxury brand's entire marketing campaign, or use Times New Roman for a children's toy advertisement.
Design a beautiful, readable book cover using only Wingdings, or design a splash page for a cutting-edge tech company using only Papyrus.
Have every headline you ever design be in all caps, or have every body text you write be in all lowercase.
Design a logo that uses a font that’s impossible to read when it’s small, or a font that’s incredibly distracting when it’s large.
Be forced to only use Serif fonts for all digital interfaces, or only Sans-Serif fonts for all print materials.
Design a poster with perfect kerning but terrible leading, or terrible kerning with perfect leading.
Have your signature font be overly scripty and hard to read, or aggressively blocky and utilitarian for every project.
Design an entire website where every word is in a different font, or an entire website where every word is in a different size.
Use a font that screams "1990s web design" for a modern app, or a font that screams "corporate brochure" for a punk rock band's album cover.
Have to design with only two colors, but they clash horribly, or with every color imaginable, but they are all muted and dull.
Design a print ad with illegible fine print that’s crucial, or a digital ad with a giant, unskippable pop-up that’s unavoidable.
Be known for using only overly decorative fonts, or only incredibly bland and boring fonts.
Design a flyer where the font size is inconsistent throughout, or a flyer where the font weight is inconsistent throughout.
Have to use a font that looks like it was handwritten by a toddler for a formal invitation, or a font that looks like it was typed by a robot for a wedding announcement.
Design a logo that is only recognizable when printed in huge sizes, or only recognizable when viewed on a tiny phone screen.
Be forced to use a font with no ascenders or descenders (like a perfect rectangle), or a font that’s all loops and swirls with no straight lines.
Design a beautiful sans-serif typeface that is completely unreadable in body text, or a legible serif typeface that looks awful as a headline.
Have every piece of text you design automatically converted to an outline that can't be edited, or have every piece of text you design require a special plugin to view.
Design a brand identity using only Comic Sans, or design a personal portfolio using only Papyrus.
Have your font choice always be the default font of whatever software you are using, or have your font choice always be a font that is no longer supported by modern browsers.

Would You Rather Color Catastrophes?

Get ready for some colorful confusion:

Design a vibrant, energetic brand identity using only shades of beige and grey, or design a calming, minimalist brand identity using only neon green and hot pink.
Be forced to only use CMYK colors for all your digital designs, or only RGB colors for all your print designs.
Design a moody, atmospheric illustration using only primary colors, or a cheerful, playful illustration using only black and white.
Have every color you pick for a project be slightly off from what you intended (e.g., a blue that’s a little too green), or have your colors desaturate over time.
Design a website that is extremely accessible but uses a jarring color combination, or a beautiful but inaccessible website.
Be forced to use the color palette from the most garish 1980s tracksuit for every client, or the color palette of a hospital cafeteria for every client.
Design a dark and mysterious forest scene using only pastel colors, or a bright and sunny beach scene using only dark, muted tones.
Have your clients constantly ask for "more pop" which you can only achieve with clashing colors, or "more subtle" which forces you into monochromatic drudgery.
Design a logo that looks completely different on every screen due to color calibration issues, or a logo that looks the same but is actually the wrong color for the brand.
Be forced to design with a color blindness simulator active at all times, or have your color picker always default to the least complementary color.
Design a piece of art where the colors are all inversed from how they should be, or where the colors are all swapped with their opposite on the color wheel.
Have to create a whole brand around the color brown, or around the color orange.
Design a serene spa advertisement using a color palette that looks like a construction site, or a thrilling action movie poster using a palette that looks like a baby shower.
Be able to pick any color, but it always appears slightly muddy, or be able to pick perfect colors, but they always have a harsh, unnatural glow.
Design a website where the background is a bright, flashing strobe light, or where all the text is written in invisible ink that only appears under a blacklight.
Have to design a wedding invitation using only the colors of a bruised ego, or a funeral program using the colors of a birthday party.
Be stuck with a limited color palette of only three colors, but they are the exact three colors you hate the most, or an unlimited color palette but every color has a slightly sickly yellow undertone.
Design an eye-catching ad for a sleep aid using a hyper-saturated, neon palette, or an advertisement for a rave using soft, muted pastels.
Have to use the exact same shade of red for every client, no matter the brand, or have to use a different shade of red every single day.
Design a product that looks appealing with a color palette that makes it look unappetizing, or a product that looks unappetizing with a color palette that makes it look delicious.

Would You Rather Layout Labyrinths?

Navigate these gridlock situations:

Design a visually stunning magazine spread with no margins, or a perfectly organized website with every element perfectly centered.
Be forced to design every layout with a strict, unchangeable golden ratio, or with complete creative freedom but every element must be a perfect square.
Design a busy, chaotic market stall poster that’s incredibly hard to read, or a minimalist, elegant art gallery invitation where all the essential information is hidden.
Have your website layout collapse on mobile devices no matter what you do, or have your print layout look completely different every time it’s printed.
Design a poster for a band where the band members’ faces are arranged in a perfect, rigid grid, or a corporate annual report with a completely abstract and chaotic layout.
Be stuck using only grids made of diagonal lines, or grids where every column is a different width and constantly shifts.
Design an infographic where all the data points are clustered together in one corner, or an infographic where the information is spread out so thinly it’s impossible to follow.
Have to center everything, including text and images, for every project, or have everything left-aligned with a ragged right edge, no exceptions.
Design a product packaging that looks incredibly cramped and overwhelming, or one that looks so empty it seems like something is missing.
Be forced to create layouts that are always asymmetrical and unbalanced, or always perfectly symmetrical and static.
Design a user interface where all the buttons are scattered randomly across the screen, or where all the buttons are stacked in a single, unnavigable column.
Have to design a poster where the most important information is placed in the absolute bottom corner, or where it’s covered by a giant, unremovable watermark.
Design a brochure where the pages are out of order, or a website where the navigation links lead to random pages.
Be forced to use a layout that is constantly changing and shifting as the user scrolls, or a layout that is completely frozen and unresponsive.
Design a book cover where the title is upside down, or where the author's name is printed in microscopic font.
Have your layouts always feel too crowded and claustrophobic, or always too sparse and empty.
Design an app where all the essential information is hidden behind obscure gestures, or where all the information is displayed in tiny, unreadable text boxes.
Be forced to use a layout that resembles a kaleidoscope, or one that resembles a Rorschach test.
Design a poster where the main image completely obscures the text, or where the text is so small it’s impossible to read from a normal distance.
Have your layouts always be based on a grid that is slightly tilted, or one that is made of non-parallel lines.

Would You Rather Client Complications?

Deal with these demanding clients:

Work with a client who has a crystal-clear vision but is impossible to communicate with, or a client who is very communicative but has absolutely no idea what they want.
Design a logo for a company that wants it to be "memorable, but not too loud, and also very professional but with a fun twist," or design an entire website for a client who insists on using only Comic Sans and clip art.
Have a client who constantly changes their mind mid-project, or a client who never gives feedback until the final deadline?
Be hired to design a rebrand for a company that’s deeply hated, or a new product for a company that’s notoriously bad at marketing?
Work with a client who gives you an unlimited budget but expects you to read their mind, or a client with a shoestring budget but expects you to deliver miracles?
Have a client who thinks they are a design expert and micromanages every tiny detail, or a client who is completely hands-off and then complains the result isn't what they pictured?
Design a website for a client who wants it to look like a search engine, or a logo for a client who wants it to look like a famous existing logo but with a slight change.
Be forced to implement every single piece of feedback from a client, even if it ruins the design, or refuse all feedback and risk losing the project?
Work with a client who pays late but is amazing to work with, or a client who pays on time but is incredibly demanding and rude?
Design an advertisement that is intentionally misleading but effective, or a truthful advertisement that is completely ignored?
Have a client who insists on using a color palette that clashes horribly with their brand, or a client who insists on using a font that is completely unreadable?
Be hired to design a logo for a conspiracy theory website, or a website for a brand that sells extremely boring but essential products?
Work with a client who treats design as an afterthought, or a client who treats design as the entire business?
Have to deliver a project on a ridiculously short deadline with a tiny budget, or a project with an ample deadline and budget but endless revisions?
Design a website for a client who wants it to be “modern and classic at the same time,” or a logo for a client who wants it to be “bold and subtle.”
Be forced to work with a client who only communicates through confusing memes, or a client who only communicates through cryptic poems?
Design an app for a company that makes products you find morally questionable, or a brand identity for a company that makes products you find incredibly unappealing?
Have a client who wants their logo to include at least five different animals, or a client who wants their website to feature at least ten different fonts?
Work with a client who expects you to provide free design services as “practice,” or a client who expects you to work for free because they are “a friend of a friend”?
Design a user interface for a product that you secretly think is ridiculous, or a marketing campaign for a product that you genuinely believe is harmful?

Would You Rather Tool Troubles?

Struggling with your design arsenal:

Be forced to only use Photoshop for vector graphics, or Illustrator for photo manipulation.
Design a complex 3D model using only MS Paint, or design a beautiful website using only a word processor.
Have your primary design software constantly crash, or have your design software only allow you to save in low-resolution formats.
Be forced to use a mouse with no scroll wheel for all your design work, or a keyboard with only half the keys working.
Design a beautiful animation using only static images, or a stunning photograph using only abstract shapes.
Have to use a drawing tablet that only works intermittently, or a monitor that has terrible color accuracy?
Be stuck with an ancient version of your favorite design software that’s missing all the latest features, or a brand new beta version that’s full of bugs?
Design a logo using only a ruler and a protractor, or design a complex illustration using only pre-made clipart?
Have to use a design program that doesn’t support layers, or one that only allows you to use black and white?
Be forced to only use the Pen Tool in Illustrator for every single shape, or only use the Magic Wand Tool in Photoshop for every selection?
Design a responsive website where your only tool is a fixed-width editor, or design print collateral where your only tool is a browser?
Have your graphic design software randomly change your colors to their complementary colors, or randomly swap your layers?
Be forced to use a graphics tablet that is extremely laggy, or a monitor that constantly flickers?
Design a high-fidelity mockup using only sticky notes and markers, or a simple wireframe using advanced 3D modeling software?
Have your computer only allow you to use one tool at a time, or have your computer only allow you to work with one color at a time?
Be forced to use a design software that is notoriously difficult to learn but powerful, or one that is incredibly easy to use but very limited?
Design a complex illustration without the ability to zoom in, or a simple logo without the ability to zoom out?
Have your file saving function randomly corrupt your files, or have your undo function only work once per session?
Be forced to use a design software that is only available in a language you don't understand, or one that constantly displays pop-up ads for unrelated products?
Design a sleek, modern interface using only pixel art tools, or a retro-style game using cutting-edge 3D rendering software?

Would You Rather Creative Crossroads?

These will make you think:

Design a product that solves a real-world problem but looks ugly, or design a beautiful product that has no practical use?
Be known for your incredibly innovative designs that are hard for clients to understand, or your incredibly safe designs that are always successful but uninspired?
Design an advertisement that is controversial but gets noticed, or an advertisement that is universally loved but completely ignored?
Have your greatest creative success be something you are personally embarrassed by, or your greatest creative failure be something you are incredibly proud of?
Design a brand identity for a company that is actively harmful, or a beautiful piece of art that is completely meaningless?
Be forced to create art that is always dark and brooding, or always overly cheerful and saccharine?
Design a user interface that is incredibly intuitive but looks terrible, or one that looks amazing but is impossible to use?
Have your designs always be ahead of their time and misunderstood, or always be slightly behind the trend and a bit dated?
Create a piece of art that sparks intense debate and anger, or a piece of art that is met with universal indifference?
Design a logo that is iconic but incredibly simple, or a logo that is incredibly complex and detailed but easily forgotten?
Be able to perfectly execute any idea you have, but you never have any good ideas, or have endless good ideas but are terrible at executing them?
Design a story that is visually stunning but has a weak plot, or a story that has an amazing plot but is visually unappealing?
Have your work be constantly praised by critics but disliked by the public, or loved by the public but ignored by critics?
Design a product that revolutionizes an industry but is incredibly expensive, or a product that is affordable but makes no real impact?
Be forced to design with a strict set of rules and limitations for your entire career, or have complete creative freedom but always feel creatively blocked?
Design a campaign that is incredibly successful but morally questionable, or a campaign that is ethically sound but fails miserably?
Create a piece of art that is deeply personal but nobody understands, or a piece of art that is universally understood but feels soulless?
Design a brand that everyone loves but is ultimately superficial, or a brand that is controversial but has genuine depth?
Have your designs be instantly recognizable but always the same style, or have your designs be incredibly diverse but lack a signature style?
Design a website that is incredibly functional but looks like a spreadsheet, or one that is visually breathtaking but has terrible user experience?

Phew! That was a rollercoaster of design dilemmas! Whether you're laughing at the absurd choices or seriously pondering the implications, "Would You Rather Questions For Designers" are a fantastic way to keep your creative juices flowing and connect with your fellow design enthusiasts. They remind us that design is all about making choices, and sometimes, the most interesting choices come from the toughest questions.